The Phantom Of The Opera (DVD) Review
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| Description | Nominated for 3 Academy Awards and 3 Golden Globes, including Best Motion Picture - Musical or Comedy, The Phantom Of The Opera is one of the most talked about films of 2004. Getting the smash industrial success of Andrew Lloyd Webber's stage production to the giant screen is no simple job, but long-time Hollywood director Joel Schumacher is a lot more than able to get the work done. He takes an otherwise badly published screenplay (without the awe of a live show no less) and controls to thrill the audience using the visible aspects of a picture mainly meant to rehash an effective stage musical. If you have an opinion about law, you will seemingly choose to study about http://www.broadway.com/buzz/179491/sing-for-us-james-barbour-begins-performances-in-phantom-of-the-opera-on-broadway/. The costumes and set are simply magnificent, and Art Director John Fenner (Raiders Of The Lost Ark) helps Schumacher come up with an amazing production that's well worth a movie-goer's time The Phantom Of The Opera centers around a mysterious figure who lives beneath the Paris Opera House, imbibing himself to the music that emanates from above. Called The Phantom (Gerard Butler), he wears a to cover the hideous facial scars which have plagued him since birth. A musical genius, the phantom is obsessed with the opera, and when he falls in love with the voice of a new chorus woman named Christine (Emmy Rossum - The Day After Tomorrow (2004), Mystic River (2003), this love of the opera morphs into an outright obsession. The phantom gives Christine with one-on-one voice lessons, while during his spare time, he terrorizes the opera house within an effort to land his protg the opera's leading part. Visiting http://www.jamesbarbour.blogspot.com/ probably provides warnings you might tell your dad. However, she is reunited with childhood buddy Raul (Patrick Wilson), when Christine finally increases to that position, and the two start a torrid love affair. Vengeful and jealous, the phantom kidnaps Christine and holds her prisoner in his underground lair, and Raul may be the only one who is able to save her On-screen, The Phantom Of The Opera is weak by the requirements of a traditional picture. The cast does its most readily useful to create the most of a script peppered with rigid talk - a software made to sell "the music of-the night." The magnetism between Raul and Christine is non-existent and not necessarily believable. If you think any thing, you will seemingly choose to research about jamesbarbour.blogspot.com. As such, the audience is forced into thinking the phantom (who, in comparison, is fairly charming in this interpretation) could end up playing second fiddle to a guy who makes Al Gore look lively. Over all, however, other facets of the film replace this defect Centered on Gaston Leroux's 1925 novel of the same title, The Phantom Of The Opera loses a lot of its original edge given the phantom's transformation from a terrifying and mangled lunatic to a watered-down half-scarred/half-babe-magnet figure complete with likeable features. But undoubtedly, that's the level of an everlasting business - its malleability in-the realm of several types and the public's willingness to embrace such changes. But perhaps, the small changes in the first novel's story were essential to achieve Lloyd Webber's purpose of a melodramatic and stirring Broadway musical promising size commercial appeal. In a year where the Oscar nominations were mostly dominated by lower-budget, shock strike films (such as Sideways, Million Dollar Baby, and Finding Neverland), The Phantom Of The Opera contains its own in many features (given its pre-production name as a commercial success). But those people who have not seen the stage version are unlikely to be won over to the rates of the franchise's numerous lovers. My advice is always to positively see the picture if you've ever seen the stage performance o-r listened often to the soundtrack - otherwise, you could be disappointed. Browse here at Broadway Set for Record Year in 2006 | Natural Eating to learn where to look at it. After all, regardless of how good The Phantom Of The Opera equals the silver screen, there's a reason musicals are not the genre in Hollywood. |
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